Opinion about this English-language film, however, is not likely to be divided. Commercial prospects seem remote, but its LSD and other drug-induced visual fireworks might ensure a long life as a cult film on DVD. Oscar and Linda, whose parents were killed in a car crash when they were kids — an accident that they witnessed — have been finally reunited in Japan. Alas, Oscar has become a drug addict and dealer and Linda an exotic dancer with some extra-curricular activities on the side. None of this contrived stuff is helped by the fact that Nathaniel Brown, who plays Oscar, is such a weak actor. The worst part is that instead of cutting from one scene that the dead Oscar is observing to the next, Noe has decided to go through an elaborate kind of diving into light or black holes, followed by a camera that flies over buildings for several minutes in order to settle into the next location. This happens at least 20 or 30 times in the film, to the point that viewers will begin to long for the simple directness of a good old-fashioned cut. The whole thing ends up presumably on a life-affirming note when virtually every character in the film — even poor Oscar, now kind of enabled through the visual perspective of a friend to consummate his unspoken but obvious incestuous desires for his sister — gets it on, and with relish.
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